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Red-Winged Blackbird

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Red-winged Blackbird (agelaius phoeniceus)
San Diego Creek runs through the city of Irvine from the east to the south-west where it enters the "Back Bay" of Newport Bay. It is certainly an urban creek with stretches of it that are cemented, and others that are mostly natural. The last stretch of it passes by the Irvine Ranch Water District's "wetland" where the water is diverted through a series of ponds to remove nitrates and other pollutants before sending it on its way into Newport Bay. The ponds known as the San Joachim Wetlands have been landscaped with native California plants, and are frequented by hundreds of water birds. The Audubon Society has an office and visitor center there, and it is a wonderful place to visit and hike around.
Despite the predominance of concrete along long stretches of the creek, bird life abounds. One stretch of the creek between Jefferey and Sand Canyon was until recently a micro-environment replete with birds of all kinds; mallards, herons, hawks, avocets, and many others that I don't recognize. A reed had naturalized in this stretch of the creek over the last couple of years, and this past spring red-winged blackbirds that build their nests in reeds moved in in force.
I actually ride my bike past this stretch of the creek on my way to work, and it was a joy each morning and evening riding by the birds which have a beautiful song that they call out to defend their territory. There were literally hundreds and hundreds of birds nesting in this stretch of the creek in the spring. And then along came the Irvine Company, The Evil Empire of this area of Orange County. It appears that somehow they own this stretch of the creek and while the birds were still nesting they sent in gangs who cut the reeds down. Now they have heavy equipment in the creek bed having completely destroyed the habitat and my fear is that they are going to cement the creek.
This photo was one of the many I took one Saturday morning this past spring.


Bird Photo Gallery

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Samoan Youth

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This young man was preparing with his friends for his moment of fame on the stage at the Samoan Village at the Polynesian dance festival called Pasifika in Auckland in March this year. Samoan Youth Canon EOS 20D 1/30sec at f/20 ISO 200 Canon 70-300mm lens at 300mm More photographs from the same Pasifika Festival day can be found in my new post, Faces of Pasifika 2007 — A Day at Auckland's Pacific Festival .
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Faces of Pasifika 2007 — A Day at Auckland's Pacific Festival

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The 15th anniversary Pasifika Festival poster — a collage of the Pacific cultures the festival celebrates. On Saturday 10 March 2007, I spent the day at the Pasifika Festival at Western Springs Park in Auckland. It was the festival's 15th year — an annual celebration of Pacific Island cultures that has been part of Auckland's calendar since 1993, and which typically draws crowds of well over 100,000 across the day. Nine Pacific villages are traditionally represented — Samoa, Tonga, the Cook Islands, Niue, Fiji, Tuvalu, Tokelau, Kiribati and Tahiti — with music, dance, food, arts, and craft from each community sharing the same park for the day. I usually visit New Zealand earlier in February, but in 2007 I was there in March and it was the first — and, to date, only — time I've been able to attend Pasifika. I hope to make it back one of these years. But I came away from that single visit with the str...
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The Watchman and Virgin River — Painterly Winter Landscape

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The Watchman and Virgin River, Zion National Park — Painterly Winter Landscape — © John Corney The Watchman is one of Zion National Park's most recognizable formations — the peak that rises up just past the south entrance, often photographed reflected in or framed by the Virgin River as it winds through the valley floor. I photographed this view on the same January 2006 trip as the other winter Zion piece in this collection, with the river running low and the cottonwoods and willows along the bank stripped bare for the season. I worked this one up with AI assistance into a full painterly interpretation, the same way I've approached the rest of this Zion series — directing the process the way a film director works with a cinematographer, choosing what to carry forward from the original photograph and what to push harder. Here that meant leaning into the warmth of the low winter light against the cool snow on the upper ridgeline, and letting th...
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