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Old Jetty Pile at Beckett Point

Click image for larger photo of Old Jetty Pile at Beckett PointThis old jetty pile has obviously seen better days. Having served its role at Beckett Point in the Puget Sound area, now it stands guard as a work of art.

Camera: Canon EOS 20D
Exposure: 0.001 sec (1/2000)
Aperture: f/5
Focal Length: 38 mm
ISO Speed: 200

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Samoan Youth

This young man was preparing with his friends for his moment of fame on the stage at the Samoan Village at the Polynesian dance festival called Pasifika in Auckland in March this year. Samoan Youth Canon EOS 20D 1/30sec at f/20 ISO 200 Canon 70-300mm lens at 300mm

Young at Heart: The Active Seniors Collection + Massive Redbubble Sale!

Ollie Grandpa Stepping into the freedom of retirement after a long, 45-year career completely shifts your perspective. You finally have the time to let loose, hit the road, and truly embrace the fun side of life! That joyful, unrestrained energy is exactly what I wanted to capture in my newest Redbubble collection. I'm so excited to introduce my new " Active Seniors " series, featuring designs that perfectly embody the "young at heart" spirit. The series features a vibrant, adventurous little old lady tearing it up, and a matching active grandpa catching some serious air on a skateboard or cruising on a bright orange motor scooter. Complete with flower-adorned helmets, flying striped scarves, and big, beaming smiles, these characters are a tribute to everyone who refuses to slow down. These make fantastic graphic tees, travel mugs, or stickers for your own "Fa...

Beyond the Horizon: Reimagining the Western Sunset

Into the Sunset — © John Corney The image of the "lonely cowboy" is a staple of American art. He's usually riding alone, facing a harsh landscape — a study in solitude and self-reliance. I love those pictures too. But I've always been more interested in the variant of the story that has two people in the saddle. Riding Out Together With my digital painting Into the Sunset , I wanted to take that classic Western trope and give it a softer, more romantic focus. Two gay cowboys ride side by side along a dirt path through a pine forest, heading toward snow-capped mountains. We see them from behind — which is important. We're not meeting them; we're watching them go. There's a particular emotional weight to seeing the back of someone you love riding off into a beautiful evening, and that's the feeling I most wanted the painting to hold. If you look closely a...