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Say No to Bullfighting

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Say No to Bullfighting
John Corney
I have always been fascinated by this bull that I photographed in New Zealand from the side of back road back in 2007. Such a huge animal and such a magnificent red color.

In the most-recent edition of Photoshop User Magazine there was an article on creating the effect of fog, so I decided to give it a shot with my bull. After doing that I started to look at some photos of bulls on the Internet and came across several photos of bull fights. It just looks so incredibly cruel, and it prompted me to see if I could do something with my photo as a plea against bullfighting. My "Say No to Bullfighting" composition was the result.


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Samoan Youth

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This young man was preparing with his friends for his moment of fame on the stage at the Samoan Village at the Polynesian dance festival called Pasifika in Auckland in March this year. Samoan Youth Canon EOS 20D 1/30sec at f/20 ISO 200 Canon 70-300mm lens at 300mm More photographs from the same Pasifika Festival day can be found in my new post, Faces of Pasifika 2007 — A Day at Auckland's Pacific Festival .
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Before and After: Two Joshua Tree Photographs, Two Painterly Reworkings

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I want to try something a little different in this post — a working walk-through of how two of my Joshua Tree photographs from April of 2011 became two of my newest painterly artworks on Redbubble. Same compositions, same landscape, same afternoon in the Mojave. Very different final pieces. The Raw Photographs Both photographs were taken on a single afternoon trip to Joshua Tree National Park, shot in Canon raw (.CR2) format on my Canon EOS. Raw files are, as any photographer knows, deliberately flat — they carry the maximum amount of information the sensor recorded, without any of the punchy contrast, saturation, or sharpening that a JPEG would apply automatically in-camera. That flatness is a feature: it gives the photographer the widest possible latitude to make choices in post-processing. But it also means a raw file, straight out of the camera, doesn't look like the scene the eye remembers. It looks like the scene the sensor saw, drained of atmosphere. Here are the two r...
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Cool Granny in Her Austin A35 — © John Corney 2026 This one has a real backstory, and I'd like to tell it properly. An Auckland Sighting On one of my annual visits home to New Zealand, I was walking through central Auckland — at the corner of Queen Street and Karangahape Road (K Road, as everyone calls it) — when a small yellow car went past me and stopped me mid-stride. It was a beautifully kept Austin A35, one of the little British runabouts that were everywhere in New Zealand when I was growing up in the fifties and sixties. Driving it was a woman of a certain age with the confident bearing of someone who had been driving that same car, or one like it, for decades. She looked entirely at home behind the wheel. She belonged to the car and the car belonged to her, and neither of them was in any hurry to change. If you know Auckland, that particular corner will register: Queen Stree...
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