Search This Blog

A cheerful cartoon illustration of a stylish older woman with wind-tossed silver hair and oversized sunglasses driving a buttery yellow Austin A35, her coral scarf streaming behind her, laughing and waving out the driver's window to whoever she's just left behind. A small red heart is painted on the side of the car.
Cool Granny in Her Austin A35 — © John Corney 2026

This one has a real backstory, and I'd like to tell it properly.

An Auckland Sighting

On one of my annual visits home to New Zealand, I was walking through central Auckland — at the corner of Queen Street and Karangahape Road (K Road, as everyone calls it) — when a small yellow car went past me and stopped me mid-stride. It was a beautifully kept Austin A35, one of the little British runabouts that were everywhere in New Zealand when I was growing up in the fifties and sixties. Driving it was a woman of a certain age with the confident bearing of someone who had been driving that same car, or one like it, for decades. She looked entirely at home behind the wheel. She belonged to the car and the car belonged to her, and neither of them was in any hurry to change.

If you know Auckland, that particular corner will register: Queen Street runs down the spine of the city, and K Road is its long-established bohemian cross-street, with a history of vintage shops, live music venues, characterful old buildings and home to Auckland's more colourful nightlife. A vintage yellow Austin A35 turning that corner, driven by a woman who looked like she belonged in it, was almost too perfect a moment — the car, the driver, and the location all speaking the same language.

I got the photograph before she drove off. Here's the car (with the driver removed for privacy, since I didn't have the chance to ask her):

A photograph of a beautifully preserved yellow Austin A35 — a small British 1950s classic car — on Karangahape Road (K Road) in central Auckland, New Zealand. The distinctive vertical grille, rounded body, and chrome bumpers are all visible. The original photograph has been edited to remove the driver.
The Austin A35 at the corner of Queen Street and K Road, Auckland — the real car that inspired the illustration.

The Austin A35 was produced from 1956 to 1959, right around when I was born, and part of a whole generation of small, sensible, affordable British cars that populated post-war New Zealand roads and became many families' first vehicle. They were friendly little things — you can see it in the shape, the rounded headlights, the vertical grille, the sense that the whole car might be smiling at you. They aged well too, which is why the surviving A35s tend to be beloved. Nobody keeps an Austin A35 running in 2026 by accident. Someone loves that car.

Why the Sighting Mattered

The reason the moment stayed with me is that the woman in the driver's seat reminded me of my mother.

My mother, Elva, lived most of her life in Whanganui, spelled "Wanganui" when I was growing up there. She had nine children, and she raised us in the way women of her generation and place raised families — mostly on her own energy, without a great deal of fuss, and without the option of putting her own preferences first for a very long time. When the youngest of us was grown and gone, and she was well into her fifties, she made a decision my father was not entirely comfortable with: she bought her own motor scooter — a Suzuki — so she could commute to work independently. He wasn't sure this was quite proper for a woman her age. She was sure enough for both of them. She rode it, and enjoyed it, and never looked back.

The woman in the Austin A35 that morning on K Road had the same air. Not defiant exactly — she wasn't proving a point to anyone — just entirely, unapologetically at ease in her own life. Driving her own car, going her own places, on her own schedule. That look is one I recognise. It's the look my mother had, in a different vehicle, in a different decade, in a different town.

From Photograph to Illustration

I decided to make her a piece from this photo to be part of my "Little Old Lady" collection. Not a portrait of her — I never spoke to the actual woman, and I don't know who she was — but a cartoon that would try to capture the whole spirit of the moment. The car became my starting point: same buttery yellow, same friendly rounded shape, same chrome grille. Then I imagined the driver as the archetype she seemed to be: silver hair caught in the wind, coral scarf trailing behind, oversized sunglasses, laughing, waving to whoever she's just left in her rear-view mirror. I added a small red heart on the side of the car, because it seemed like the kind of thing that woman would have painted on hers.

The result is Cool Granny in Her Austin A35. It's not a portrait; it's a tribute. To one particular woman I saw for about fifteen seconds on K Road. To my mother in her fifties on her Suzuki in Whanganui. To every older woman who has ever decided it was finally her turn.

The Little Old Lady Collection

This piece joins my ongoing Little Old Lady collection on Redbubble, which began with an earlier illustration of a cool granny on a skateboard. Different vehicle, same spirit. The collection is meant as a small, cheerful, ongoing tribute to older women who refuse to slow down, dress boringly, or ask permission — the ones whose second acts turn out to be at least as interesting as the first.

Available on Redbubble

Cool Granny in Her Austin A35 is available at my Redbubble shop across the full product range — greeting cards, t-shirts, tote bags, mugs, stickers, art prints, throw pillows, notebooks, and more. It makes a perfect card for a beloved grandmother, mother, aunt, or friend on a birthday or milestone. It's also a fine gift for anyone who intends to grow into exactly this sort of older woman herself.

Cool Granny in Her Austin A35 on Redbubble

You can browse the full Little Old Lady collection, and everything else, at my Redbubble shop, KornKob Art — or search Redbubble for kornkobart (one path).

Comments

Most popular posts in the last 30 days

A Dose of Capybara Cuteness to Brighten Your Day

Sometimes the internet delivers a piece of pure, unexpected joy — and today, that joy comes in the form of a capybara ready for its ballet debut. Tutu Cute Capybara Known as the chillest animal on the planet, the capybara is famous for its serene demeanor and its uncanny ability to befriend just about every other creature. But what happens when this icon of calm decides to trade a quiet soak for a spirited pliĆ© ? You get this: a masterpiece of whimsy. This tutu-wearing trailblazer is a perfect reminder to embrace the silly, find your own rhythm, and dance like nobody's watching — even if you're a giant rodent built more for lounging than for leaping. So the next time you feel like you don't quite fit the mold, just remember this capybara. Put on your own proverbial pink tutu, whatever that may be, and let your happy spirit shine. Perhaps there's a little princess in yo...

The Farmers Queen Street Santa — An Auckland Christmas Icon

The Queen Street Santa is one of those pieces of Auckland Christmas iconography that's hard to explain to anyone who didn't grow up seeing it. Standing 18 metres tall, the statue's history is more layered than most people realise: it started life on the original Farmers building at the corner of Hobson and Wyndham Streets in 1960, moved briefly to the Manukau City Shopping Centre in the early '90s, then settled onto the Whitcoulls building on Queen Street, where it stood through the 1990s and 2000s — which is where I photographed it in January 2010, in the photo below. Farmers itself later moved back into that same Queen Street building in 2020, and the giant Santa went back up that Christmas along with them. As far as I can tell, though, it hasn't reappeared since — 2020 seems to be its last confirmed outing, which fits with what a lot of older Kiwis have told me: they remember it fondly, but suspect it's gone for good. The Farmers Santa — Queen St...

Samoan Youth

This young man was preparing with his friends for his moment of fame on the stage at the Samoan Village at the Polynesian dance festival called Pasifika in Auckland in March this year. Samoan Youth Canon EOS 20D 1/30sec at f/20 ISO 200 Canon 70-300mm lens at 300mm More photographs from the same Pasifika Festival day can be found in my new post, Faces of Pasifika 2007 — A Day at Auckland's Pacific Festival .

A Grunge Botanical Collection — Five Painterly Garden Pieces

Over the past few weeks I've been building out a small collection of botanical pieces using photos taken in my garden here in Irvine, California, (and in one case out on a hiking trail here in SoCal), and using AI assistance to give each one a grunge, painterly treatment — dark, richly textured backgrounds with warm gold light breaking through, turning garden snapshots and trailside finds into something closer to old varnished still-life paintings than straight photography. Here's the full set so far. Epiphyllum oxypetalum — Queen of the Night, Painterly Botanical Art A night-blooming cactus that flowers just once or twice a year, for a single night — three blooms at different stages caught in one frame from a night it happened in my garden. Kangaroo Paw — Painterly Grunge Botanical Art Australia's velvety-flowered native, grown in my own garden, its stems reaching in different directions the way it actually grows rather than posed into symmetry. ...

Joshua Tree National Park — Painterly Desert Art

Joshua Trees and Granite Boulders — Painterly Desert Art Joshua Tree National Park sits in southeastern California, on the border between the Mojave and Colorado deserts, taking its name from the Joshua tree ( Yucca brevifolia ) forests scattered across it. President Franklin D. Roosevelt set the area aside as a national monument in 1936, and it wasn't until the California Desert Protection Act of 1994 that it was elevated to full national park status. At roughly 790,000 acres, or about 1,235 square miles, the park is slightly larger than the state of Rhode Island, with more than half of that land designated as protected wilderness. Straddling the San Bernardino and Riverside county line, it spans two distinct desert ecosystems shaped largely by elevation — the higher Mojave Desert and the lower Colorado Desert — with the Little San Bernardino Mountains running along its southwestern edge. For more background, see the Wikipedia entry on Joshua Tree National Park ....